![]() While other groups of the period-such as Silver Apples or The United States of America-made use of similarly primitive electronic equipment, An Electric Storm was a separate beast entirely, and its singular textures have been a primary influence on such subsequent acts as Stereolab, Broadcast and Belbury Poly. Despite its brief 35-minute running length, the album covers an enormous amount of stylistic ground, as White Noise overlay their fractured pop songcraft with musique concrète effects, weird bits of radio theater, and long stretches of gothic horror. ![]() Yet knowledge of White Noise's academic or technical background does little to prepare the listener for the widescale psychedelic mayhem of An Electric Storm. ![]() Who" and other music for BBC TV and radio programs.) Commissioned by Island Records' Chris Blackwell, the three musical scientists soon holed themselves up for months in their Camden Town studio, fastidiously assembling what Vorhaus later surmised to be the most heavily tape-spliced album in history. (Derbyshire, of course, was by this point already responsible for the classic theme song from "Dr. One of the few acts in pop music history able to trace their origins to the lecture hall, White Noise were first conceived when American electronic engineer David Vorhaus- following a lecture by BBC Radiophonic Workshop veteran Delia Derbyshire- enlisted Derbyshire and Brian Hodgson to integrate their experimental electronics with more pop-oriented material. ![]()
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